First published 1972
Harold Evans sits at his desk, surrounded by galley proofs and layout sheets that will determine how millions read tomorrow's news. As editor of The Sunday Times, he faces the daily challenge of turning raw information into clear, compelling stories through typography and design. Evans must balance the demands of readability with the constraints of deadlines and printing technology. He discovers that the smallest design choices carry enormous weight in how readers understand complex issues. Through trial and error, he develops principles that transform dense text into accessible journalism. The book reveals how visual presentation shapes meaning itself, showing that good design serves democracy by making information truly available to everyone.
Genres: art, reference, non-fiction, journalism, design, academic
Vibes: informative, intimate, thought-provoking
Tropes: informative-narrative
Unknown Binding · Heinemann [for] the National Council for the Training of Journalists