by John Knowles - undifferentiated
First published 2018
This book documents how DHC/ART developed from its 2007 founding by Phoebe Greenberg into a new model for contemporary art institutions. The publication examines the organization's growth and impact through critical essays that explore how innovative institutions can build future audiences for contemporary art. Contributors include Sarah Thornton and Jan Verwoert, who analyze broader questions about institutional change. The DHC/ART Education department describes their teaching methods and philosophy. A survey on installation view photography features responses from artists and critics including Simon Starling, Barbara Clausen, JiaJia Fei, Brian Droitcour, Vincent Bonin and Richard-Max Tremblay. The book showcases work from major artists such as Marc Quinn, Sophie Calle, Christian Marclay, Jenny Holzer, Jake and Dinos Chapman, Richard Mosse, Joan Jonas, Bill Viola and many others who have exhibited through DHC/ART programming.
Genres: art, contemporary, non-fiction, art-history
Vibes: informative, intimate, thought-provoking
Tropes: art-survey, institutional-change
300 pages · Hardcover · Hirmer Verlag GmbH