First published 1994
George starts with fundamental concepts and simple exercises, then guides writers through increasingly complex techniques until they complete their first one-act play. She explains how stage drama differs from novels, screenplays, and television writing. The book shows writers how to transform personal experiences into theatrical material and how to create characters driven by dramatic action. George emphasizes that playwriting thrives on feedback, alternative approaches, and collaborative discussion. Her workshop format provides the foundation writers need to begin crafting their first theatrical work. The book demonstrates how creativity flourishes through interaction and revision, making the case that playwriting is uniquely collaborative among literary forms.
Genres: drama, writing, non-fiction, academic
Vibes: instructional, intimate, thought-provoking
Tropes: instructional, workshop-format
272 pages · Paperback · Focal Press